Is it better then the original one?
E. e-z Member. The second shot is guitarist Lockett Pundt's pedalboard. It's a saturnworks soft-touch tap tempo. I was going to get a DL4 as my live looper, but I'm glad my friendly local guitar center rep talked me out of it, and into the Ditto. How does the ditto hold up for live purposes? I wanna hear this board in action.
I'm not gonna lie, it can't do the one-man-band thing. I just got an Empress Compressor, and I think I might be playing a similar style. Thu Dec 10, 2009 10:22 pm. I believe he the other digidelay and digiverb for vocals, that rapscallion! has record deal. My main influence for live looping is probably Bradford Cox, who typically creates short, heavily layered loops to create soundscapes.
I've never played the original, but I heard it was plagued by noise issues. On the other hand, he's capable of … It can do much longer loop times (5 minutes) too, if you're into that. This is where something like his DL4 shines, and I find the X2 builds off of those great features of the DL4's looper. No Age guitarist Randy Randall gives Eddie Garcia an in depth look at his touring pedalboard. I agree that shimmer can be cheesy if wrongfully used lol, and agree again with the reverse. Nov 4, 2010 #2 Thanks!
Having recently played his first live shows as Memory Tapes, Philadelphia’s Dayve Hawk joined a seated, strumming Bradford Cox at the Bell House Wednesday night.
Oh shoot I forgot, I play sludge-praise too. Re: Pedalboards of the Stars ~ Super Awesome ILF Version. It's really handy for dialing in rhythmic delay sounds.
This is where something like his DL4 shines, and I find the X2 builds off of those great features of the DL4's looper. Eartheater – Phoenix: Flames Are Dew Upon My Skin, 21 Savage & Metro Boomin – Savage Mode II, Atlas Sound/Memory Tapes @ Bell House, Brooklyn 2/3/10. I have, with some pretty neat results. tours. I just wanted to see it next to a Boss pedal, thanks. Have you messed around with putting stuff in the Superego's loop? Silver Supporting Member. It's really cool, kinda like a tame fuzz factory with a LOT of bass. I also have an EQD Terminal in the mail, which may end up replacing the Infanem fuzz or the bright lights OD.
The first shot is Bradford Cox's board. I liked having a phaser or tremolo in there a lot. kwaping Guitar payer . Jokes aside, I tend to make a lot of spacey, psychedelic-flavored soundscapes that are bookended by bursts of fuzzy distaster. indie famous. Some of the pedals are used for vocal processing, I'm not sure which though. I'm a big fan. By using our Services or clicking I agree, you agree to our use of cookies. Press question mark to learn the rest of the keyboard shortcuts. Any music to listen to? by my bloody television » Mon Dec 07, 2009 12:29 am, by christianatl » Thu Dec 10, 2009 6:21 pm, by christianatl » Thu Dec 10, 2009 6:22 pm, by christianatl » Thu Dec 10, 2009 6:53 pm, by iblamesummers » Thu Dec 10, 2009 7:28 pm, by 1,2,3, Pull Out! It just doesn't have enough features to do that. What do you think of the Sea Machine v.2? I find I can still capture a ton of "ordinary" sounds by having a digital delay late in the chain, and by only having certain groups of effects on at a given time. I have a DD7 that I keep on reverse with high feedback to give the shimmer a break when I want layering. J. Mascis story within. As I said to someone else here a few days ago, the Sea Machine turned me into a chorus guy :). Tell me about that fuzz. I'm looking into the Empress Compressor. I tend to inject a lot of weird noises into my playing, which is helped by the somewhat-backwards order of my effects. Having recently played his first live shows as Memory Tapes, Philadelphia's Dayve Hawk joined a seated, strumming Bradford Cox at the Bell House Wednesday night. » Thu Dec 10, 2009 9:28 pm, Users browsing this forum: dubkitty and 22 guests, "The main rule on ILF is don't be an asshole." Messages 2,539. Tweaking these controls can give you chorus with many "voices", a warbly slapback delay/faux-spring reverb, and by rolling the intensity all the way down you can get great double-tracking or slapback delay sounds.
How are you using it? In my opinion, the animate and dimension controls more than make up for it, which control the delay and feedback of the wet signal, respectively. I would just like to say thank you for writing out your signal chain in a list format instead of an illegible>spaceless>format>like>this. - bigchiefbc, SPAAAAAAAAAAAAAAACERRRRRRRRRRRRRRRRRRITUAAAAAAAAAAAAAL, Pedalboards of the Stars ~ Super Awesome ILF Version, Re: Pedalboards of the Stars ~ Super Awesome ILF Version, http://www.myspace.com/garrettcookmusicart, http://wildrocket.bandcamp.com/album/ge ... ucinations, https://thewirechimes.bandcamp.com/releases, https://www.facebook.com/pages/Whores/108004672554176, http://www.chunklet.com/images/upload/6/audio_file/Having%20Fun%20On%20Stage%20With%20Fugazi.mp3. Cookies help us deliver our Services. If it's good enough for Bradford Cox... Shimmer can sound overly cheesy if used wrong anyway.. no boutique stuff. Have you considered upgrading your patch cables? It can do much longer loop times (5 … - Tom Dalton, I can't wait to annoy the shit out of you with my mountain of mids.
everything off-the-shelf.
Some people complain that it sounds "cold", which I think is a result of the wet signal not having a tone control to shave off some of the treble. Press J to jump to the feed. We sent Natasha Ryan to take some shots, which are here for you to click through because of how much you love photos. I'm starting to think people are just making up these genres. Blurillaz wrote:Bradford Cox of Deerhunter!
If you're looking for a beefier, more simple to use fuzz factory, this thing is great. Nov 4, 2010 #3 Thanks for posting. what is that planetary ring thing going into the other DD7 input? My main influence for live looping is probably Bradford Cox, who typically creates short, heavily layered loops to create soundscapes. Messages 1,690. But if you utilize looping in ways that aren't focused on building up verses or choruses, then the Ditto x2 will suit you well. It has 2 controllable feedback loops to control low mid/high mid response and oscillations, and a gate switch to keep oscillations under control. He can paint lush, ambient soundscapes with the help of his voice and a loop pedal. What's coming: I have a Boss Line Selector in the mail, which with a bit of tetrising I'm sure I'll be able to fit on the board and streamline my tap-dancing. I fantasize about that, but I’m not going to be that. loop cat wrote:Ian is just straight into the Marshall JCM-900. From Krankies Coffee in Winston-Salem, NC during Phuzz Phest 2014. The ones I have right now get the job done well enough, but I might end up getting a lava tightrope cable kit just for the sake of maximizing space on the board. Enjoy ‘em. Kinda. On a related note, he is a douche. I’m just not that dangerous,” Bradford Cox told me in an interview for The Big Takeover back in 2008. Just curious because I've only just started experimenting with it. The V2 doesn't have any issues with noise, and has a handy rate LED (which I find more important than I anticipated). I really want to grab a x2 myself. New comments cannot be posted and votes cannot be cast, More posts from the guitarpedals community. I'd also love to fit a Twin Peaks tremolo on there, but I'm having a hard time finding out where it will fit (and if it can't, what will need to be sacrificed). My issue is that I also like having those pedals available outside of the Superego loop, so I find that having the Superego really early in the chain is a good compromise. Bradford Cox (May 15, 1982) Member of: Deerhunter Vocal Range: E2-F♯5 Bradford Cox is not the 'lead man' of Deerhunter as much as he is an 'agent', but as the primary lead singer and songwriter of the band, it makes sense that he is sometimes labelled as such. As an incurable fuzz addict, I'm always looking for the next little noisemaker to put my eye on. Anyone care to identify them? I was hoping to … I really want to get one, but haven't heard too much about it yet. It was a sell-out, which shouldn’t surprise anybody; Brooklyn hipsters love Cox. The place for all things related to guitar pedals. Why do you have it so far back in your chain?
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