The Toronto International Film Festival (TIFF, stylized as tiff) is one of the largest publicly attended film festivals in the…, Here we go! Few British directors have managed to capture onscreen a realistic view of working-class people and the neighbourhoods they come from. Once Upon a Time in the Midlands (2002) feels, looks and sounds like a Shane Meadows film in some ways, but then again doesn’t in many other ways. TMDb They live together with her 12-year-old, Marlene: her daughter by the delinquent Jimmy, who flew the coop years ago and hasn't been heard from since. What a quaint and oddly funny little drama, Watched for Robert Carlyle. The drama element definitely rings the Meadows bell, you can see he has a skill for capturing raw onscreen energy even at this early stage of his career.
Once Upon a Time in the Midlands is a 2002 British romantic comedy-drama film written and directed by Shane Meadows, starring Robert Carlyle, Rhys Ifans, Kathy Burke, Ricky Tomlinson and Shirley Henderson. Theatrical Trailer from Sony Pictures Classics. Not all of the comedy quite works for me nor does some plot elements that seem too coincidental just to have Dek get from A to B character wise. "Please... don't do anything sexual," he pleads, to their baffled disgust.
An absolute joyful blending and twisting of genres. Rhys Ifans, Shirley Henderson and Robert Carlyle star in Shane Meadows’ spaghetti-western-influenced comedy-drama set in Nottingham, about a garage owner and a criminal who compete for a woman’s love. It is easily the equal of overpraised British milestones like Billy Elliot and The Full Monty, and miles ahead of the sentimental regional quasi-comedies that keep plopping out of the Lottery-funded chute. Report this film. Songs and music featured in Once Upon a Time... in Hollywood Soundtrack. The big surprise is that Dek proposes marriage to Shirley on air, who sadly turns him down. Ifans plays Dek, the nerdy manager of a franchise-chain garage called the Clutch Hutch, who has set up home with his partner Shirley (Shirley Henderson) and Shirley's daughter, Marlene (Finn Atkins), from a previous unhappy relationship. Carlyle has a nice moment when he thinks he can melt Marlene's heart by whistling the tune he used to soothe her when she was a baby. Who thought a romantic-english-western could ever work and work this well. It's the sort of thing that only looks easy when you're getting it right. Taking this as a hint, Jimmy journeys for the Midlands to attempt to get Shirley back.
When Jimmy (Robert Carlyle), "the great love of her life" and father of her daughter Marlene (Finn Atkins), sees this, he returns in an attempt to win back her heart.
Robert Carlyle gives a good performance in his…. TIFF - Toronto International Film Festival (1976 -2020), ️Cannes You Feel It: The Ultimate, Most Exhaustive & Accurate List of Films That Have Screened at the Cannes Film Festival Over the Years, ️Quinzaine des réalisateurs - Festival de Cannes - Directors' Fortnight (1969-2019), British and Irish Romantic(-ish) Comedies Since 1985. A Shane Meadows movie with this cast has undeniable appeal but it never really gets going and instead is mostly a ramshackle selection of hit and miss scenes where the tone alters and characters leave for significant periods. Compare Meadows' chaotic family with those of the recent British film The Martins, about a superficially similar trailer-trash crowd. Made by fans in Auckland, New Zealand. It's a treat, and a relief, to see that a British comedy can combine sentiment with drama and laughs, without looking thoroughly phoney or stupid. Once Upon a Time in the West is a soundtrack composed by Ennio Morricone, from the 1968 western film of the same name directed by Sergio Leone, released in 1972.The film score sold about 10 million copies worldwide. He also has a great scene when his foster sister (Burke) tells him to buzz off, an argument which degenerates into a furious row about who looked after who in the foster home. Far away in Glasgow, this live-TV debacle is witnessed by Shirley's ex-partner and Carol's foster-brother Jimmy, a sharp-faced, incurably malevolent-looking Robert Carlyle, who decides to ride back into town and reclaim his woman. Henderson dipped in and out of her accent, but was otherwise fine. As the preposterous and buffoonish Dek, Rhys Ifans is a model of how hopeless men are in the film: given to flopping melodramatically on his Laz-E-Boy and later cowering in terror when Jimmy's grotesque gangland mates come menacingly a-calling. After Notting Hill, his presence has sadly been the sine qua non of any terrible British film. Kathy Burke shows that she has the self-possession for an easy-going comic turn, but also that she can display plausible rage, as when she wrecks Dek's car with a baseball bat. Sweet, charming and heartfelt and continuing to show Meadow's incredible range and understanding of his own country. Unfortunately, the most appealing thing for me in this film was the collection of luridly selected vehicles, including a white stretched Mini and a pink Reliant Robin (a very odd 3-wheeled Brit car from the 80's). Whilst it may not have the gritty realism of Dead Man’s Shoes or This Is England, this is still a great little film. Oscars Best Picture Winners Best Picture Winners Golden Globes Emmys San Diego Comic-Con New York Comic-Con Sundance Film Festival Toronto Int'l Film Festival Awards Central Festival Central All Events This was the third time that Carlyle had worked with Henderson (first in Hamish Macbeth and the second in Trainspotting), the second time he had worked with Ifans (the first in The 51st State), and the fourth time he had worked with Tomlinson (first in Riff-Raff, second in Cracker and third in The 51st State). It is easily the equal of overpraised British milestones like Billy Elliot and The Full Monty, and miles ahead of the sentimental regional quasi-comedies that keep plopping out of the Lottery-funded chute. I don’t think it’s anything special, but it’s concept is funnier than a lot of the film though the content isn’t special.
I don’t think I‘ve seen Kathy Burke better in anything before. This list is basically a chronological compilation of my Compétition officielle, Hors Compétition, Un certain regard, Quinzaine…, This is a list of *everything my wife and I own that I have yet to watch. That looked unconvincing and condescending. What I liked about Once Upon a Time in the Midlands, the third film in the "Nottingham Trilogy" by Shane Meadows — the first two were TwentyFourSeven (1997) and A Room for Romeo Brass (1999) — was what the critics in Britain seem not to have liked when it was released there last year.
But Meadows, armed with co-writer Paul Fraser's sparkling, well-constructed script, puts him right back at the top of his game. The story concerns Jimmy (Robert Carlyle), a minor criminal living in Glasgow, Scotland, who’s long since missing from the lives of his previous wife, Shirley (Shirley Henderson), and 12-year-old daughter, Marlene (Finn Atkins), who exist in England's Midlands.
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