Listen free to Can – Tago Mago (Paperhouse, Mushroom and more). [Chorus] Dead, dead, dead, dead, dead, dead Generally considered as the band's best work, consisting of intensely rhythmic jazz-inspired drumming, improvised guitar and keyboard soloing, tape edits, and Suzuki's idiosyncratic vocalisms. Independent purveyors of great music, since 1976, Shipping and final taxes will be calculated at checkout, Did you know we also have a United Kingdom store?
Dead, dead, dead, dead, dead, dead, dead, dead When I saw mushroom head {{variantPlaying.title}} - {{currentTrack}}. I was born and I was dead I'm gonna give my despair He was playing with Chet Baker in Barcelona, as a jazz drummer. Dead, dead, dead, dead, dead Produced by Jaki Liebezeit, Holger Czukay, Damo Suzuki & 2 more.
I was born and I was dead I was born and I was dead When I saw mushroom head When I saw mushroom head
I'm gonna give my despair Tago Mago was Can's third long-player originally released in 1971, and the second album to feature the vocals of Damo Suzuki, who took over from Malcolm Mooney. I was born and I was dead When I saw mushroom head Youtube; Mushroom Can. It was originally released on United Artists Records. I was born and I was dead This track sets the overall tone for much of album.
Tago Mago is the second studio album by the German experimental rock band Can, and was originally released as a double LP in 1971 by United Artists. When I saw mushroom head
I was born and I was dead When I saw mushroom head And south of this island is a rock called Tago Mago. I'm gonna give my despair It was the band's first studio album to feature Kenji "Damo" Suzuki after their previous vocalist, Malcolm Mooney, quit the band in 1970 due to a nervous breakdown. And Jaki was on that rock and tried to spring down because he thought his life didn’t make any sense. [Verse 2]
Generally considered as the band's best work, consisting of intensely rhythmic jazz-inspired drumming, improvised guitar and keyboard soloing, tape edits, and Suzuki's idiosyncratic vocalisms. When I saw mushroom head Tago Mago was Can's third long-player originally released in 1971, and the second album to feature the vocals of Damo Suzuki, who took over from Malcolm Mooney. When I saw mushroom head Seven mighty tracks with the band at their kosmische psychedelic peak through seminal tracks such as Mushroom and the side-long pieces Halleluwah and Aumgan. It could be argued that by this period Can were no longer a "rock" band, having more in common musically with funk and freeform avant-garde styles. Tago Mago is the third album by the German krautrock band, Can. I think he is the one who said we should call it Tago Mago.
Album Tago Mago. Novelist Alan Warner details the concrete music we hear on the album, how it was composed, executed and recorded--including the history of the album in terms of its release, promotion and art work. In conversation with Terrascope, Holger Czukay (Bass player and co-founder of Can) said: Tago Mago is a magical work. 7 tracks (73:15). The first track off of CAN’s critically acclaimed Tago Mago. I was born and I was- When I saw skies are red Then he went to Ibiza. [Chorus] Mago means magic, and Tago was the name of a magic master who lived there. Finally, a brilliant exploration of the German rock band Can's 1971 album Tago Mago. I'm gonna give my despair
I'm gonna give my despair From "Tago Mago" to "Soon over Babaluma" Can recorded 4 milestone LPs that have lost none of their impact over time.
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