the harmony of the spheres from pythagoras to voyager
←The solar system in a double logarithmic plot representing orbital speed and distance from the sun. NASA has released records of the “music” of our planets. Planet: Mean distance in million km per NASA Relative mean distance where Mercury = 1, Mercury 57.91 1.00000, Venus 108.21 1.86859, Earth 149.60 1.38250, Mars 227.92 1.52353, Ceres 413.79 1.81552, Jupiter 778.57 1.88154, Saturn 1,433.53 1.84123, Uranus 2,872.46 2.00377, Neptune 4,495.06 1.56488, Pluto 5,869.66 1.30580, Total 16.18736, Average 1.61874, Phi 1.61803.
Venus’ mean distance from sun / Mercury’s mean distance from sun, Astronomical units: 0.72 divided with 0.39. For the distances between the bodies revolving round the center are mathematically proportionate; some moves faster and some more slowly; the sound made by the slower bodies in their movement is lower in pitch, and that of the faster is higher; hence these separate notes, corresponding to the ratios of the distances, make the resultant sound concordant. It is apparently too demanding for us humans to expect, that our orbiting plants will present a neat musical scale just from their orbiting periods! The word “harmony” means, in the Greek language, first “tuning” and then “scale”. It was a key word of the Pythagoreanism and meant primarily the joining or fitting of things together. Notify me of follow-up comments by email. We perceive sound in seconds. As Eriugena had already pointed out, the musical possibilities of these sliding scales are almost inexhaustible. Music of the Spheres is an expression that refers to the entwined relationship connecting the structures of music and those of the physical world, and conscious awareness of mystical or spiritual qualities being transmitted through-composed sound.
Some other factor must be at work. Similar order appears for the moons in our solar system, especially for the nearly circular orbits. We find it clearly in Aristotle's explanation of Pythagoras harmony of the spheres and also in Plato's statements. This concept is similar to the Tetragrammaton of the Kabbalah and contains the numbers of the perfect musical intervals of an octave, a fifth and a fourth. It was a sacred pattern for the school of philosophers who followed the teachings of the Greek sage Pythagoras (lived 6th century BC).
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The time factor is the key to understand the notion of the music of the spheres. Many scholars has pointed out: how could the Pythagorean s have supposed that all eight notes of an octave sounding simultaneously would produce a concordant and pleasing effect? Aristotle continued: “They said too that the whole universe is constructed according to a musical scale. Nowadays, however, to understand the Pythagorean system of celestial music– Music of the Spheres, it is only possible to approximate his actual theory using our contemplative mind.
An explanation for the strong attraction to the concept of the harmony of the spheres may have something to do with the way man functions and regulates his body and mind. The concept that everything is nothing but a note in the harmony of the worlds can be observed through the study of the Greek Mystery schools included in their doctrines a magnificent concept of the relationship existing between music and form. This hypothesis of the planets as the creators of form and function on Earth has no substantiate arguments in science, either has the harmony of the spheres.
The astronomer Bode formulated that discovery few years later into a law, which, when the outer planets were later discovered, fit the whole solar system quite accurately. Or is it He also changed the focal point from the Earth to the Sun by converting to the Copernican system. The Earth and its bio sphere can be viewed as a stock of passive compounds on which the planets serve as a forming, organizing and functional force producing the whole world of Nature. That is equivalent to the interval of two octaves plus a minor third. Unlike Eriugena, however, Kepler lived in an age when musical polyphony was the norm. Collin made a detailed account on these matter, but here I will just conclude, that the endocrine glands are functioning as a receiving sets for planetary influences. However, as Burnet notes, there was no such things as harmony in our sense. The frequency of the sun. This “music” is not usually thought to be audible, but a harmonic and mathematical and/or of a spiritual way to perceive it. “We shall, therefore, borrow all our Rules for the Finishing our Proportions, from the Musicians, who are the greatest Masters of this Sort of Numbers, and from those Things wherein Nature shows herself most excellent and complete.” ~Leon Battista Alberti (1407-1472), In the Old Testament of the Bible, Job describes a time “when the stars of the morning sang together“, and William Shakespeare in his play, “The Merchant of Venice”, writes: “There’s not the smallest orb which thou behold’st But in his motion like an angel sings.”. The Pythagorean oath, as quoted by the Renaissance magician Cornelius Agrippa, is as follows: “I with pure mind by the number four do swear; Geometric shapes and even orbiting motions could be linked to this philosophy. The bottom line is, as Collin states: “that the glands in the order of their distance from the heart, obey the same laws as the planets in the order of their distance from the sun. Limit stood for order, moderation – beauty. The above display of tones does not constitute a musical scale as we can perceive. Numbers was responsible for “harmony”, the divine principle that governed the structure of the whole world. … But Pythagoras alone of mortals is said to have heard this harmony … The relation to the Sun as the heat- and light giving body to the central fire was not explained by Aristotle, but later sources states it as a case of reflection like that of the moon’s light from the sun. On the quantum level we have the double motion of spin and orbiting.
The early priests frequently demonstrated their superior knowledge of the principles underlying the phenomena known as vibration.
W. Kaiser composing a scale based on the mean distances from the Sun. The idea continued to appeal to thinkers about music until the end of the Renaissance, influencing scholars of many kinds, including humanists. ~John Milton. We present the strong links between music and astronomy over 25 centuries. The other notes was not fixed and could move accordingly to the different modes. By placing the calculated ratios from the many combinations after their harmonic numbers of a fundamental, let us call it C, a display of a harmonically scale is produced. Emile Chizat, who makes the Titius-Bode numbers yield a perfect concord. Frequency range can be measured in a basic unit called octaves. The Greek genius in thought and art, represented the triumph of ratio, meaning on one hand the intelligible, determinate, measurable, as opposed to the fantastic, vague and shapeless. A major part of the planets tones belongs to the major triad CEG. Probably all three – God, Pythagoras, and the tetrad – were in the mind of the individual taking the oath. The approximate chromatic tones are picked from the below frequencies table for the equal tempered chromatic scale with the concert pitch of middle A = 440 Hz. Our planet system behaves in that double motion, rotating about their axes while in the same time orbiting around our sun. Those who have seen the movie, 2001, by Stanley Kubrick, will remember the music of Richard Strauss under laying the beautiful space pictures. Pythagoras was the first to coin the term “Harmony of the Spheres”. Change ), You are commenting using your Facebook account. The endocrine glands are: Thymus, Pancreas, Thyroid, Para-thyroids, Adrenals, Posterior Pituitary, Anterior Pituitary, Gonads and Pineal (function ?). Thomas Hightower, 2003-5. pondering the question of why there should be only six planets (instead of the canonical seven), and what governed their distances from the Sun. The numerical explanation of the universe was a generalization from the discovery made by Pythagoras himself and revealed the numerical ratios which determine the concordant intervals of the scale. Originally it was connected to the concept of… Τhe music of instruments, the music of the human body and soul, and the music of the spheres, which was the music of the cosmos. To go deeper into this concept and relationship between the Macrocosmic Universe and the Microcosmic Universe, we have to realize that every element in Nature has its individual keynote. We present the strong links between music and astronomy over 25 centuries. The interacting nervous controls are three fold: the cerebral-spinal, which serves conscious control; the sympathetic, which stimulates unconscious or instinctive functions; and the parasympathetic and vagus, which are explained as slowing down these instinctive functions. It is the relationship between the period of oscillation (the time it takes to complete the period or move back and forth) and its frequency. http://www.etsy.com/shop/scelestious.
The essential point was that the three intervals of octave, fourth and fifth were regarded as primary and fixed, as the element out of which any musical scale or composition was build. In the 18th century Titius discovered, that all the planets known to astronomers in his time possessed a special order in the mean orbital distances from the Sun.
The Harmony of the Spheres from Pythagoras to Voyager Proust, Dominique; Abstract. Dana Samuel, Humanities PhD Student, Concordia University. As demonstrated above the sound on the planetary scale has to be raised about 36 octaves to be perceived by humans. The beauty of this relationship became first clear, when John Pritchard in a mail told me about the findings of the Russian astronomer Butusov, who in 1978 found the answer. This is what he means to indicate by the words “and that the whole universe is a number”, because it is both composed of numbers and organized numerically and musically. http://solargeometry.com/DistCalc.htm ; In between the six orbits of Mercury, Venus, Earth, Mars. Title: The Harmony of the Spheres from Pythagoras to Voyager Authors: Proust, D. Journal: The Role of Astronomy in Society and Culture, Proceedings of the International Astronomical Union, IAU Symposium, Volume 260, p. 358-367 Bibliographic Code: 2011IAUS..260..358P A part of the cosmology of the Pythagorean is their extraordinary theory of the “harmony of the spheres”, which caught later generations in the ancient world and the Renaissance.
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