"Volver Quotes." “This is a man’s world,” he sings, but James Brown knows it wouldn’t mean nothing, nothing, not one little thing without a woman or a girl. As the films builds, a subtle shift takes place, and what seemed sexy and modern as Raimunda strutted down the street suddenly looks trashy and narcissistic. Sole: Who's going to believe that you're from China, mom? Almodovar is above all a director who loves women -- young, old, professional, amateur, mothers, daughters, granddaughters, dead, alive. It means coming back, so how is Volver so fresh, so inventive, so utterly alive with the joys of cinema? “Through this film,” he said, “I have gone through a mourning period that I needed. In exemplary classic style, Almodovar uses a right-to-left tracking shot to show this housekeeping carrying us back into the past, and then a subtle, centered zoom to establish the past as part of the present. Revolving around an eccentric family of women from a wind-swept region south of Madrid, Cruz plays Raimunda, a working-class woman forced to go to great lengths to protect her 14-year-old daughter Paula. The legendary Spanish filmmaker throws open the doors of his Madrid work space to the hungry eyes of LWLies. interviews It received critical acclaim and ultimately won two awards at the festival, for Best Actress (shared by the six main actresses) and Best Screenplay. Der muss dringend da weg, aber wie? Und nicht zuletzt kehrt er, nachdem in seinem letzten Drama LA MALA EDUCACIÓN – SCHLECHTE ERZIEHUNG fast ausschließlich Männer die Hauptrollen spielten, zum weiblichen Universum zurück: Raimunda (Penélope Cruz) dreht gleich durch: Während vorne in ihrem Restaurant ein äußerst lebhaftes Filmteam eine ziemlich lautstarke Party feiert, liegt hinten im Kühlraum ein äußerst schweigsamer und ziemlich toter Männerkörper. Why not, in a town where the final frontier swings back and forth like a saloon door? - fangen jetzt erst an…. Pedro Almodóvar was born in a village in La Mancha, the rural heartland of Spain. A festival favourite from an art-house giant. Twice other characters comment on them, while the director stares goggle-eyed overhead as she washes up, gold chains lost in an abyssal cleavage. Plot Keywords What the directors are doing, I think, is paying tribute to the women who raised them -- their conversations, conspiracies, ambitions, compromises and feeling for romance. They all know I'm an orphan. What are we going to do? Raimunda, her daughter Paula and her sister Sole travel from Madrid to the windy and superstitious village of Alcanfor de las Infantas to visit the grave of their mother Irene, who died years ago in a fire with her husband. When Raimunda's lascivious husband Paco unforgivably betrays her and her beloved daughter, he not-so-mysteriously disappears.
Test. This is the land of the dead, where women tend their gravestones like a doorstep and death is a threshold kept as spotless as any other. Pedro Almodóvar’s Volver is a woman’s world to the quick.
There are lots of them on the neighborhood and they would notice the accent.
A knife in the chest isn’t your average family crisis, but attempting to rape your daughter isn’t the average display of fatherly affection. Here the dominant color is red -- for blood, passion and Pedro.
Raimundas arbeitsloser Gatte Paco versucht unterdessen, seine Tochter Paula zu missbrauchen, die den Peiniger allerdings ersticht und ihrer gestressten Mutter damit ein Problem mehr beschert: Wohin mit der Leiche? Match. She works two jobs, menial ones, her hair teased into a bombshell of floor-scrubbing chic, and it soon becomes clear that she’s the matriarch of a broken family. The plot originates in Almodóvar's earlier film The Flower of My Secret (1995), where it features as a novel which is rejected for publication but is stolen to form the screenplay of a film named The Freezer. "Después de lo que le hice a su madre, lo menos que puedo hacer es cuidarla hasta que se muere." It’s as canny a movie as you’ll ever see, a film that chatters in your ear with craftiness, but it’s so beautifully made, so delicately poised between art and artfulness that it achieves a naturalness – a grace that gives its zigzagging emotional cadences an easy rhythm.
Raimunda is forgiven in a jackhammer final act, a reunion with Irene anchored by an exquisitely dark emotional pay off. Look, whatever you hear, keep your mouth shut. Or bad done. To top off the family crisis, her mother Irene comes back from the dead to tie up loose ends. His characters approach their dilemmas not with metaphysics but with common sense. Volver is a 2006 Spanish comedy-drama film written and directed by Pedro Almodóvar. Madrid is full of Chinese people. An all-too-rare cocktail of cinematic know-how and genuinely touching human drama. Volver is a film cut like glass. It’s a sinister hint of the cycles of violence and transgression at the root of village life, and it’s also one more damning indictment of the men who have ruined these women’s lives.
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Raimunda’s sister, Sole (Lola Dueñas), runs an illegal salon from the flat where she lives alone, abandoned by her husband two years before. What arrogance to deny it when she hears of the affair that Agustina’s mother and her own father were conducting. Hanging around in a tunnel of pure light, welcoming new arrivals from among your family and friends?
Denn mit VOLVER kehrt Almodóvar ein Stück weit zur Komödie zurück. Irene: ?Chinese? Sole: No. It means ‘coming back’ in English. Then they visit Irene's sister Paula, an old senile aunt that raised Raimunda after the death of her parents that insists to tell them that Irene is alive and living with her; later, they go to the house of her neighbor and friend Agustina, who gives a support to Paula. - Irene reassures Agustina that her mother did not disappear on a whim to leave her alone and unloved. Der Kadaver ist bald fort, aber die Probleme - Santa Maria! In this connection, some mention might be made of Cruz's cleavage, including one startling shot also incorporating the murder weapon.
Storyline Raimunda, her daughter Paula and her sister Sole travel from Madrid to the windy and superstitious village of Alcanfor de las Infantas to visit the grave of their mother Irene, who died years ago in a fire with her husband. Taglines Synopsis Volver ("To Return") occurs in Spain in 2006. No quiere dañar a nadie. With nods to MILDRED PIERCE and ARSENIC AND OLD LACE, VOLVER celebrates those rites and beliefs designed keep ancestors close and the wisdom of generations intact. Web. Click card to see definition Tap card to see definition "Después de lo que le hice a su madre, lo menos que puedo hacer es cuidarla hasta que se muere." There’s nothing in the good wife’s handbook about removing bloodstains from the floor. If there’s an ambivalence to the film’s thematic focus, what’s not in doubt is that Volver is a prodigiously well-made movie, though not always in the ways you’d expect. For Almodovar, too, "Volver" is like a homecoming. LWLies Recommends, Review by Matt Bochenski She’s Commander-in-Chief of the tribe of women, press-ganging the neighbourhood into a restaurant scheme in one of those brilliantly false movie moments that Almodóvar excels at.
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