She awakes and realizes she's in a dark pit of fresh kills, practically flooded with the blood and entrails of various animals. She lies in the pile of bones and realizes that she's still in the cavern; her escape was a fantasy. According to the audio commentary on the special edition DVD, there was an exact replica made of Nora-Jane Noone and after the movie was finished, she got to keep the head of the doll. Driving off back down the country roads they had come in on, she stops the car and vomits out of the window from the psychological trauma. Suddenly, the body of Holly is dropped into the pit. She finally snaps out of it when Beth embraces her, and tearfully tells her that Jessica is dead. When the creature confronts Juno she slashes its face with her pick-axe. Buring is originally from Sweden. Juno then reveals to the others that not only did she not bring the cave map, but she has intentionally taken them to an unexplored cave rather than the one to which she claimed she was taking them. Presumably as a nod to this, the shot when Sarah emerges out of the bloody water was replicated in Tomb Raider (2013). Entonces Sarah “ve” a su hija cara a cara muy de cerca junto a un pastel de cumpleaños con una vela encendida. In the American cut, Sarah escapes from the cave and sees Juno, but the film does not cut back to the cave. As Sarah drifts off in her own mind, the sounds of the creatures draw nearer. When Juno and Rebecca run up behind, they plead with Sam to be careful. As Beth pulls Sarah out, the tunnel roof begins to tremble and, just as the two pull out, totally collapses behind them. After becoming stuck in a hole 18 inches wide and 150 feet under ground, rescue crews worked frantically and heroically to free him. Each of the women crosses the precipice using the pulley system and Juno goes last. The director was initially wary of being typecast as a horror film director, although he eventually agreed to make The Descent, emphasising, "They are very different films.". While the film is set in North America, the film was shot entirely in the United Kingdom. (at around 1 min) As stated in the cast commentary on the special edition DVD, Shauna Macdonald, Natalie Mendoza and Alex Reid did the entire white water rafting sequence on their own without any stunt doubles or special effects. She sees what appears to be daylight (but is actually just phosphorescent rock) and rushes even more, despite Juno telling her to slow down. Mientras las otras chicas ayudan a Holly, Sarah se aleja un poco, y observa a una criatura pálida humanoide bebiendo agua de un charco. Actress Natalie Mendoza said of the effect, "When the moment came, I nearly wet my pants! Más adelante, el grupo descubre una pintura rupestre así como un equipo de rápel de un visitante anterior, lo que sugiere una segunda salida y permite al grupo seguir siendo optimista. La misma fue menos exitosa en términos de taquilla y crítica. The director elaborated, "We really wanted to ramp up the tension slowly, unlike all the American horror films you see now. No real caves appear anywhere in film. Neil Marshall afirmó que las comparaciones de The Descent con su película previa, Dog Soldiers (2002), son inevitables, pues al igual que en aquella, la trama gira alrededor de seis personas atrapadas que deben enfrentarse a un enemigo común. Directed by Isaac Halasima. The sequel The Descent: Part 2 (2009) starts with Sarah having just escaped from the cave, and is thus a follow-up to the American version of the film. There was only one cabin for the morning scenes. When the creatures close in, a violent struggle ensues. [Director Neil] Marshall had a number of endings in mind when he shot the film, so he was open [to making a switch]." Juno confirms that the creatures are totally blind and instead rely on sound to hunt.Meanwhile, Sarah is also trying to escape, returning to where they came in and finds Beth. The filmmakers of The Descent decided to release their film before The Cave, so they fast-tracked production to be completed by the end of February 2005. David Germain of the Associated Press noted of the crawlers, "[They] have evolved to suit their environment--eyes blind because of the darkness in which they dwell, skin slimy and gray, ears batlike to channel their super-hearing." Beth, agonizante, le pide a Sarah que termine con su dolor, a lo cual Sarah accede. The Descent is a 2005 British adventure horror film written and directed by Neil Marshall. Directed by Terry Cunningham. Shauna Macdonald was slightly claustrophobic, so she found it easy to act scared and panicky while underground. Los rastreadores matan a Sam y a Rebecca, y Juno salta al abismo para escapar. Also there is wife and mother Sarah (Shauna Macdonald) and her closest friend, Beth (Alex Reid), both British. In the end, Sarah wakes up at the bottom of the cave, crawls out, and makes her way back to the car. Juno desired to be the first to explore these caves and have the caves named after them. Production designer Simon Bowles said that the crawler design had started out as "wide-eyed and more creature-like", but the design shifted toward a more human appearance. Sarah makes a torch so she can find her way out of the pitch-black feeding pit.One of the creatures happens into Sam and Rebecca, who are embracing and remaining as still as possible. That evening, as the group reminisces about the past and enjoys a lot of drinks, Sarah repeats Paul's motto, "Love Each Day", as her motivation to join the group's adventure. With Michael J. Reynolds, Shauna Macdonald, Jessika Williams, Douglas Hodge. This was considered by many to be the "happy ending" (in contrast to the "unhappy" UK version where Sarah doesn't escape), but Marshall likened it to the finale of The Texas Chain Saw Massacre (1974), stating that "Just because [someone] gets away, does that make it a happy ending?". Paul y Jessica mueren al instante, pero Sarah sobrevive. The Descent (El descenso en Hispanoamérica) es una película británica de terror de 2005 escrita y dirigida por Neil Marshall y protagonizada por Shauna MacDonald, Alex Reid, Natalie Mendoza, Nora-Jane Noone, Saskia Mulder, Craig Conway y MyAnna Buring en su film debut. (The photo itself was inspired by surrealist Dali's gouache "Female Bodies" as a Skull painting) This same imagery was also used for the poster for The Silence of the Lambs (1991). One of the crevices built for the film was so narrow and slippery that the female cast dubbed it "the Vagina". Rene Rodriguez of The Miami Herald described the crawlers as "blind, snarling cave-dwellers, looking much like Gollum's bigger kin".
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